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Over the past three decades, the genre has become a career path for countless young women trying to get on in a male-dominated industry that gives aspiring models, dancers, and performers the space to present their bodies as objects of desire. American photographer Brian Finke was not a hip-hop head when he first began shooting for what would become Hip Hop Honeys — a new book from powerHouse that has just released in conjunction with an exhibition of the same name at ClampArt, New Yorkon view through May 12, A classic rock aficionado hailing from Texas, Finke got involved in hip-hop when he got access to video sets through Jeff, a casting director and co-founder of FaceTime Agency based in New York.

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From the start, hip-hop was about storytelling. Male and female rappers alike used wordplay, repetition and extended metaphor to relate experiences that were dark, violent, romantic or hopeful, casting themselves as hero, witness or seer. Braggadocious lyrics about violence, sex, swagger and masculinity reign in a space where women, in most cases, are cast as either conquests or a faceless Greek chorus, their own stories largely ignored.

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